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Music Industry News

  • Girl Underground Music Debuts Xuan Single

    As Xuan releases her first single “We Were Just Talking” from her up-and-coming album Have Some Fun on November 16th, Girl Underground Music jumped on the opportunity to premiere and review the indie-pop track.

    About the new single Girl Underground Music writer, Janette Ayub, says “Delightfully opening with innocent banter and magical synths, “We Were Just Talking” is the epitome of inner dialogue and wishful thinking when merely talking to a crush. Fluorescent tempo switches dance alongside Xuan’s joyous, yet sotto voce delivery,... read more

  • Ghettoblaster Premieres Balloon Ride Fantasy’s “Welcoming Party”

    As we anxiously await for tommorrow’s arrival of their third release, the six song EP BRF, Ghettoblaster took to the keyboard to write up a premiere for our favorite synth-pop/new wave band, Balloon Ride Fantasy’s, latest track. The title of the track is “Welcoming Party,” and in case you haven’t already listened to it, it’s fire. If you collectively took all the awesome vibes from this song and wired it to power a toaster, it would probably melt your face. You... read more

  • Darren Jessee Bares His Soul in “Letting you Go”

    August 24th will see the debut solo release from Darren Jessee, The Jane Room 217. In celebration of this beautifully sparse, soon-to-be masterpiece, Atwood Magazine has premiered the newest single, “Letting You Go.”

    Mitch Mosk really delves deeply into the song, saying “Darren Jessee captures the heartbreak, longing, and loneliness of saying goodbye to the one you love in his bittersweet breakup ballad, “Letting You Go.” Read the entire write up here

    Since 2004, Jessee’s released four records under the name Hotel Lights, all... read more

  • Bill using Mailchimp

    Y’all wanna see what it looks like when Bill gets to crackin’ on good ole Mailchimp?
    Well, you got it.
    :)

    Bill using Mailchimp

    read more
  • Ruston Kelly debut album out 7 September 2018
    Ruston Kelly debut album out 7 September 2018

    Album release: 'Dying Star' by Ruston Kelly
    Release date: 7 September 2018
    Label: Rounder Records
    More info:... read more

  • Gregory Alan Isakov new album out 5 October 2018
    Gregory Alan Isakov new album out 5 October 2018

    Album release: 'Evening Machines' by Gregory Alan Isakov
    Release date: 5 October 2018
    Label: Dualtone Recordsread more

  • Gunship new album out 5 October 2018
    Gunship new album out 5 October 2018

    Album release: ‘Dark All Day’ by Gunship
    Release date: 5 October 2018
    More info: Band... read more

  • Lucero new album out 3 August 2018
    Lucero new album out 3 August 2018

    Album release: 'Among The Ghosts' by Lucero
    Release date: 3 August 2018
    Label: Liberty & Lament... read more

  • Satellite Stories final album out 7 September 2018
    Satellite Stories final album out 7 September 2018

    Album release: ‘Cut Out The Lights’ by Satellite Stories
    Release date: 7 September 2018
    Label: Playground Music Scandinavia
    More... read more

  • Earmilk premieres new single from Nick Andre

    With help from Lateef The Truth Speaker and Hanni El Khatib on vocals, Nick Andre premiered his new single “Guns” with Earmilk. Andre is the co-founder of Slept On Records, which has allowed Andre and team to self-release and work with other artists such as Lateef The Truth Speaker and Gift of Gab.

    “Guns” is the first track to be released from a series of singles, which will premiere throughout the second half of 2018. Earmilk describes “Guns” as “a thought-provoking record…employing a stripped... read more

  • This Is How It’s Done: John Carpenter’s The Ward

    John Carpenter's The Ward-Reposted from Jeremy Richey’s blog Moon in the Gutter

    While I am one the biggest Ghosts of Mars fan on the planet, I think that John Carpenter’s latest film The Ward may very well be his best work in more than twenty years. Carpenter’s first feature-length film since Ghosts of Mars a decade ago might not be as ambitious as his In the Mouth of Madness (1993) or as exciting as his Vampires (1996) but he hasn’t delivered a work directed quite as beautifully directed since They Live, his sadly undervalued masterpiece from 1988.

    Set in the mid-sixties and starring the fascinating young actress Amber Heard (finally an ‘it’ girl with some real chops) as Kristen, a troubled girl who ends up in an all-female wing of a mental hospital after burning down a farm house for no apparent reason, The Ward is a smart and sneaky fright-film from the pen of Michael and Shawn Rasmussen, a young writing and directing team responsible for 2005’s Long Distance. While there isn’t anything particularly original about the script and the film’s ending is perhaps a little too transparent, The Ward is a real filmmaker’s film as Carpenter’s skill behind the camera easily makes up for any pedestrian moments the plot suffers from.

    While Carpenter’s direction controls the film, The Ward is a production overflowing with talent in fron of and behind the camera. With its splendid supporting cast, including Mamie Gummer, Danielle Panabaker, Laura-Leigh, Lyndsay Fonseca and the always great Jared Harris, lively score courtesy of Mark Kilian (sitting in for Carpenter who opted out of providing the music for this one), and eerie photography by talented cinematographer Yaron Orbach (a man not usually associated with horror films), The Ward is an extremely well-rendered film that is so much more successful as a true fright-film than any other released in 2011.

    Even though Amber Heard is absolutely terrific as the lead, the real star of The Ward is indeed Carpenter’s direction, which is at its confident and controlled best. When I met John Carpenter a few years back, around the time he had finished up working on his Masters of Horror episodes, about the last thing he seemed interested in was directing another feature so to see him come back with a work so polished, muscular and beautifully finessed is a really fabulous. The Ward is also incredibly contemporary feeling and outside of a marvelous visual and musical cue inspired by Halloween this is not at all Carpenter in summation mode…this is the man firing on all cylinders again and the news that he is preppy another film is extremely welcome.

    Like most of John Carpenter’s great films, The Ward was released to a mostly hostile critical reception earlier this year and sadly it didn’t even have a chance to become a popular success as its time in theaters was limited at best. Pity, as this is a wonderfully elegant and well-made horror film overflowing with style. Watching this I kept saying to myself, ‘This is how you do it…this is how its done’, and I felt truly privileged to watch a new film by of our great American masters, who has been out of sight far too long.

    The Ward looks fabulous on both DVD and Blu-ray but sadly it has arrived with only extra, an enjoyable audio commentary track from Carpenter and Jared Harris. While many have gone out of their way to trash The Ward, I found this to be quite a return to form for the great Carpenter even if it finally doesn’t rank among his very best, as it doesn’t have the transformative power of Assault on Precinct 13, Halloween, The Fog, The Thing, Escape From New York or Christine. I am confident that time will catch up with The Ward though and it will eventually be viewed as quite a special little-film from one of our great American auteurs.

    Published on September 24, 2011 · Filed under: film; Tagged as: , , , , , , , ,
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